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Cutout from an oil painting of an oboist by an anonymous painter from the first half of the 18th C. |
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Cutout from the painting of an unknown french oboist ca.1750 Unsigned, Stiftelsen Musikkulturens främjande, Stockholm |
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Cut out from an oil painting 'Der Oboenspieler' (1770) by Johann Joseph Zoffany(1734-1810) |
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Photograph of an original reed for an oboe from approximately 1800(See Galpin Journal August 1989- article by Geoffry Burgess and Peter Hedrick) |
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Rough sketch of the type of BAROQUE OBOE REED I use. This reed is part of a 2 piece setup and is placed onto a staple and into the oboe. The length and the conicity of the lower staple and the amount of staple in the oboe varies depending on the oboe and reed. |
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Where it gets done |